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In Okinawa, there is a place where glass—once discarded—receives a second life.
At Niji Glass Studio, Seiichiro Inamine continues this process, carrying tradition while pursuing a form of expression that is entirely his own.
His works go beyond craft.
They embody a quiet intention—something that resonates deeply with those who hold them.
Why do they feel so distinct?
Why do they bring a sense of warmth the moment they are touched?
The answer lies in his philosophy.

There was a time when his work was simply routine.
That changed after an encounter with a customer.
A woman, who had always chosen his father’s work, selected one of his pieces and said,
“This is beautiful. I’m glad I chose it.”
“That smile gave me strength. From that moment, I began putting my soul into each piece.”
At the core is a simple belief: a love for people.
His aim is not to create objects,
but pieces that bring quiet comfort and a sense of connection in everyday life.

Among many glass studios in Okinawa, Niji stands apart.
Rather than pursuing uniformity or mass production,
each piece is formed freely, without molds.
No two are ever the same.
This is not inefficiency—
it is intention.
“Do not imitate. Ask whether your work carries meaning.”
Through this approach, each creation holds its own identity,
shaped through exploration rather than replication.


“I don’t want my work to remain as something only to be admired.
I want it to be used, every day.”
Inamine believes that Ryukyu glass has the power to bring happiness.
His pieces are not separate from life—
they exist within it.
A presence you want to keep close.
A warmth you return to, again and again.
Each piece carries the intention of its maker,
quietly transforming the everyday into something more meaningful.
